Title, Lesetypografie. Authors, Hans Peter Willberg, Friedrich Forssman. Edition, 5. Publisher, Schmidt, ISBN, , Length, Results 1 – 7 of 7 Lesetypographie by Willberg, Hans Peter und Friedrich Forssmann: and a great selection of related books, art and collectibles available now at. Hans Peter Willberg & Friedrich Forssman, Lesetypografie Mainz: Verlag Hermann Schmidt, pages, × mm. Ari Rafaeli, Book typography.

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Lesetypografie – Hans Peter Willberg, Friedrich Forssman – Google Books

Withoutabox Submit to Film Festivals. The book opens with a twenty-page consideration of the virtues of close word-spacing and how this may be achieved. Lulafia marked it as to-read Sep 25, Amazon Drive Cloud storage from Amazon. This is willbetg a simple style, as one sometimes found it in the manuals of Swiss typography of the s. Amazon Inspire Digital Educational Resources. That could be a long search, though it should in principle be possible, because what is proposed in this book are larger principles of the meaningful deployment of material, at its most transcultural in the discussion of pictures in a book.

They observe, however, that we can usually read turned lines in practice; and further, a book is a movable object and a little turning of it is no bother. Bianca Pistoll marked it as to-read Dec 10, It is rather at the level of Detailtypografie that different usages for particular Western languages occur.

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Ivan Katsarov marked it as to-read Dec 28, Both would need quite a bit of adaptation, and there would be large lwsetypografie in the exercise. They also help to reinforce the sense that the book — as any worthwhile manual must — is advocating a certain approach to design. This is not traditionalist typography, and it is not a work for beginners either as the authors recognize.

Lists with This Book. When using a dash in prose, he prefers an en dash with a word space on lesetypografue side of it, rather than a longer em dash with smaller or no space on either side.

Ari Rafaeli lives and works in Chicago, but his book is extraordinarily British.

Rafaeli puts forward some large principles — his advocacy of close word-spacing is that — but for the most part his book is fixed in a particular culture and a particular tradition: To ask other readers questions about Lesetypografieplease sign up. They clearly see it as an aid to the reader, in making a difference lesetypoggrafie meaning visible: One may attach the first footnote rather to the first sentence of the chapter. Nikiko rated it really liked it May 17, Want to Read Currently Reading Read.

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Preview — Lesetypografie by Hans Peter Willberg. Yet, one knows constantly from experience, that many of the difficulties of design can be resolved by editorial work.

How many words should there be in a line of text? The space between word and punctuation mark will almost certainly not be put there by a keystroke; rather it is generated by the space built in, as kerning values, to the design of the characters.

His discussion is saturated with the culture of British typography and literature, as it existed from about to Toni added it Aug 27, ComiXology Thousands of Digital Comics. Most of these books were lsetypografie by Willberg or Forssman, or else by willbeeg who one guesses are associates of the authors.


By way of conclusion, one might try to imagine lesetypogfafie editions of these books: Bold type is employed on every page of Lesetypografiefor the page numbers, and is used for emphasis in lesehypografie, where other designers might use italics. Emperador Spock rated it it was amazing Nov 02, Nadine marked it as to-read Jul 04, These specific examples certainly help willberrg give life and specificity to what had been a rather dry work. Nils added it Oct 05, Amazon Advertising Find, attract, and engage customers.

Choice of paper will affect choice of typeface, which will in part be determined by the demands of the text many footnotes? Are you an author? Lesetypografie assumes that the text has already been edited in perfect sympathy with the design.

Two books on book typography

The first edition of Lesetypografie appeared inand this second edition is distinct from the first mainly for the reproductions of actual books, in good colour photographs, to illustrate the points being made. Streiflichter zur Typographical Correctness.

There is thus always a risk of a blurring of meaning with these marks.